remove mr worldwide posts
@ -1,432 +0,0 @@
|
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---
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title: >-
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Mr. Worldwide, Pt. 1: Europe
|
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description: >-
|
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Or: How I stopped worrying and learned to love tomatoes.
|
||||
---
|
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|
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## TODO
|
||||
|
||||
## Outline
|
||||
|
||||
- The Second Leg
|
||||
- Munich
|
||||
- No more pictures, no more tourism
|
||||
- Diet
|
||||
- Belgium
|
||||
- Brussels
|
||||
- Communism and french fries
|
||||
- Comic book museum
|
||||
- Drawing
|
||||
- Bruges
|
||||
- Beer
|
||||
- A fucking expensive fairytale
|
||||
- So cold, so scarfed
|
||||
- Camina Del Santiago
|
||||
- UK
|
||||
- London
|
||||
- Cost of museums, theft of culture
|
||||
- Dublin
|
||||
- Housing problems
|
||||
- Glendalough
|
||||
- Edinburgh
|
||||
- Reading/Writing
|
||||
- Harry Fucking Potter
|
||||
- Amsterdam
|
||||
- Pub crawl (partying vs ...)
|
||||
- Van Gogh
|
||||
- Weed
|
||||
- Sex (museum)
|
||||
- Copenhagen
|
||||
- Freedom (Christiania)
|
||||
- So many chairs
|
||||
- Stockholm
|
||||
- Tradition
|
||||
- Berlin
|
||||
- History
|
||||
- Movie
|
||||
- Prague
|
||||
- Wandering
|
||||
- Planning
|
||||
- The Third Leg
|
||||
- Munich
|
||||
- Alps, Olympics
|
||||
- Passport
|
||||
- Venice
|
||||
- Beauty in spite of tourism
|
||||
- Rijeka
|
||||
- Hitchikers
|
||||
- A strange beauty
|
||||
- Vienna
|
||||
- Riches and empire
|
||||
- A day at the palace
|
||||
- The Couchsurfing Cult
|
||||
- Athens
|
||||
- Culture
|
||||
- History
|
||||
|
||||
## Munich, Germany
|
||||
|
||||
On Febrary 14th I returned to Munich. Having been on the road for a little over
|
||||
3 weeks, I was utterly exhausted, and neglected to take any pictures at all. In
|
||||
fact, I hardly remember _what_ I did there, except go to the library a lot.
|
||||
Munich has a fantastic public library, which I spent a considerable amount of
|
||||
time at every time I was in town. I'd create my rough plans of where to go next
|
||||
there, as well as do miscellaneous coding and writing. I was through being a
|
||||
tourist.
|
||||
|
||||
After Rome I had begun really putting my strategy of "wander around and see what
|
||||
calls out to me" to the test. By the time I was in Munich it had really sunk in,
|
||||
and the only thing which really called to me in Munich was the peace and quiet
|
||||
of the library during the day, and hanging out with Caitlin and her friends at
|
||||
night. For the rest of the trip I wouldn't take so many pictures as I had been
|
||||
doing, and wouldn't go way out of my way to see something which didn't truly
|
||||
interest me.
|
||||
|
||||
After I left Italy I had begun eating differently too. Italy is, obviously,
|
||||
known for two foods: pasta and pizza, and I had a lot of those while I was
|
||||
there. At one point I had the awkward experience of an Italian guy asking me if
|
||||
Italy had better pizza than the U.S., and me having to try and find a way to
|
||||
both be honest and not seem like too much of a dick when I told him: "no". It
|
||||
would be fair to say that, in Italy, your money goes a lot farther in terms of
|
||||
quality than in the U.S.; or, in other words, their average quality is higher.
|
||||
But it's not like Italians know some secret the rest of the world doesn't, and
|
||||
you can easily find a good, crispy, thin crust, wood fired pizza anywhere, if
|
||||
you look for it.
|
||||
|
||||
That was the real lesson for me: it's not that Europe has _better_ food across
|
||||
the board than the U.S., it's that even their cheapest restaurants will be
|
||||
pretty high quality, whereas finding good but cheap food in the U.S. can often
|
||||
be quite difficult. So someone like me, who's on a spend-as-little-as-possible
|
||||
budget, can still enjoy pretty good food anywhere.
|
||||
|
||||
All the same, I would largely stop going out to eat at all from this point in
|
||||
the trip onward, and instead I began visiting grocery stores frequently. During
|
||||
the day I'd always have in my bag: a bottle of water, a loaf of bread, a block
|
||||
of cheese (usually gouda), almonds, and dates or dried figs. These I would munch
|
||||
on throughout the day, and for dinner I'd make something simple like pasta or
|
||||
rice with veggies and tofu. Having a kitchen would become a requirement for me
|
||||
to stay at a hostel, and many hostels have a "free stuff" section filled with
|
||||
food items people had left behind, like garlic or salt or whatever, so I often
|
||||
didn't need to go shopping at all.
|
||||
|
||||
Of course, I didn't abstain from eating out _completely_. Every country has some
|
||||
claim-to-fame food item, which I'd try once or twice while there, if it didn't
|
||||
mean going way out of my way. But food wasn't a primary concern of my trip, and
|
||||
so I tried my best to spend as little as possible on it.
|
||||
|
||||
Having spent a few days in Munich, recuperating and figuring out my next steps,
|
||||
I continued on... to Brussels!
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||||
|
||||
## Brussels, Belgium
|
||||
|
||||
The bus arrived in Brussels super late at night, and I woke up to the voice of
|
||||
the bus driver over the intercom: "Welcome to Brussels! Donald Trump says it is
|
||||
the shithole of Europe, and he has it right!" So it was a warm welcome. I only
|
||||
stayed in Brussels for two nights; it was more of a pit-stop on the way to
|
||||
Bruges than anything. My hostel was, apparently, on the site of one of Van
|
||||
Gogh's old studios, but that fact was played up in favor of actually making the
|
||||
hostel any good. But the city was nice enough, and despite the bitter cold I
|
||||
enjoyed myself.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="brussels-2018.jpg" width=556
|
||||
descr="Comic murals like this can be find all over the city. Brussels, 2018"
|
||||
float="right"
|
||||
%}
|
||||
|
||||
Besides being the capital of the E.U., Brussels is also famous for its history
|
||||
of comics. Not just superhero comics, but also political, children's, humor, and
|
||||
historical comics too. While wandering around I visited a number of comic stores
|
||||
with huge selections, almost entirely in not-English (Belgium has three
|
||||
official languages), and there were huge comic murals all over the city.
|
||||
Brussels' comic history would also provide me with my favorite museum experience
|
||||
of the entire trip.
|
||||
|
||||
The majority of museums I went to in Europe were only loosely ordered. Large
|
||||
collection museums would organize be era, and maybe by year within the era, or
|
||||
perhaps by artist. Those museums are fine for wandering around, but the really
|
||||
good museums are those that tell a story. The Escher exhibit in Lisbon, the
|
||||
Picasso exhibit I went to in Barcelona, and the Van Gogh museum in Amsterdam
|
||||
tell the story of a single person's life, and by having that focus can be really
|
||||
compelling for the visitor. Those with a more broad focus have more difficulty
|
||||
being as compelling, but the Belgian Comic Strip Center nailed it.
|
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|
||||
The museum started with a walkthrough of how comics are actually made, from
|
||||
initial blocking, to pencil sketches, to coloring, and finally inking. It
|
||||
covered materials used in past and present, and how digital tools like
|
||||
Photoshop and 3D modeling, which allow the entire process to be done digitally
|
||||
and quickly, have changed the landscape.
|
||||
|
||||
From there the museum opened up into different sections, some focusing on
|
||||
specific countries, others on a particular artist, others on a theme. Each had
|
||||
a series of wall texts guiding you through the section, not just by giving
|
||||
information on a specific piece, but giving overall information on context.
|
||||
There were sections on specific Belgian artists, famous comic characters, a
|
||||
whole section on comics in propaganda, chinese and japanese comics (_not_
|
||||
manga), and much more. There were sections on the different mediums that comics
|
||||
appeared, e.g. newspapers, comic books, and posters, and even a whole section on
|
||||
the Smurfs. Overall it was one of the most thought out, well designed museums
|
||||
I've ever been to, and it made the trip to Brussels worth it on its own.
|
||||
|
||||
After the Comic Center I didn't have much else I wanted to do. I wandered
|
||||
through the tourist-y area, saw the statue of the peeing kid that's apparently
|
||||
famous, and ended up walking a long while to visit what is, according to _the
|
||||
internet_, the best belgian fries joint in the city. It was pretty good (though
|
||||
the best belgian fries I'd have would turn out to be in Amsterdam), and I sat
|
||||
down in a little plaza to eat them. While there I caught the eye, for better or
|
||||
worse, of a guy coming out of a bar, and he immediately bee-lined for me. His
|
||||
English was not solid, but that didn't slow him down in the least.
|
||||
|
||||
He opened by telling me he was waiting for his taxi, and then immediately
|
||||
launched into a tirade against capitalism, in favor of communism. I told him I'm
|
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from the U.S. and we (mostly he) talked about consumer culture, the plight of
|
||||
the working man, and the like. After a few minutes his taxi showed up, he wished
|
||||
me a good trip, and we said goodbye. It was a fun but extremely odd interaction.
|
||||
"Are all Belgians so eager to espouse communism to random passerby?", I'd wonder
|
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to myself.
|
||||
|
||||
After wandering a while longer I decided to just catch a bus back to my hostel.
|
||||
A woman walked by with her two kids while I was waiting at the stop, and turned
|
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back to tell me something, though she didn't have hardly any English to work
|
||||
with. After some struggle we managed to land on "no bus". Damn. So I walked down
|
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to the metro station to take the train instead. While waiting for the train I
|
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overheard on the intercom: "Train delay due to worker strike". Which explained
|
||||
everything instantly. The Brussels public transit workers were on strike, so
|
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there was no bus, and no train, and a man (I'm betting one of the workers) was
|
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drinking in the middle of the day, waiting for a taxi, and super primed to talk
|
||||
about worker's rights.
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|
||||
While it was a funny situation, in a way, it did make my life quite a bit
|
||||
harder. Once I finally got back to the hostel I stayed in for the night, and the
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next day headed on to Bruges.
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## Bruges, Belgium
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|
||||
I'll be honest and say that 90% of the reason I wanted to go to Bruges was
|
||||
because of the movie, _In Bruges_, which is one of my all time favorites. The
|
||||
movie was shot almost completely in the city, and makes a lot of fun out of
|
||||
tourists coming to see it. "It's a fucking fairytale" is a common refrain in it.
|
||||
Bruges always had a pretty solid tourist game, but after the movie it really
|
||||
took off, so that most of the other people in my hostel said they had only
|
||||
really heard of the city from the movie too.
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|
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{% include image.html
|
||||
dir="mr-worldwide" file="bruges-pano-2018.jpg" width=1492
|
||||
descr="View from atop the the Belfry of Bruges, 2018"
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||||
%}
|
||||
|
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The city itself is actually beautiful. Once out of the busy tourist area,
|
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centered around the Belfry, the streets and canals wind around through quiet
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neighborhoods and small parks. Bruges is sometimes called the Venice of the
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North (though Amsterdam also calls itself this), due to its history as an
|
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important historical commercial port built on top of a maze of canals. There are
|
||||
many canal boat tours available, but I was too ~~cheap~~ poor to spring for one,
|
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so I took a free walking tour instead.
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|
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"Free" walking tours are a fairly common business in European cities. The tour
|
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guides collect people from various hostels they have arrangements with, and walk
|
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them around the city, talking about whatever is worth talking about. Most that I
|
||||
took were quite good, weaving together the history of a place, its culture both
|
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then and now, and current events, all while giving you a good lay-of-the-land
|
||||
and two-ish hours of being out-and-about. At the end of the tour the guides ask
|
||||
for tips/donations, and most people give between $5-20.
|
||||
|
||||
On the tour of Bruges our guide had pointed out a sea shell cemented into the
|
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pavement. This was part, he said, of the Camino De Santiago. In the middle ages
|
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the Catholic Church considered pilgrimage to be a suitable form of atonement for
|
||||
sins/crimes, and so many people throughout Europe were sent away from their
|
||||
towns to travel by land to the Santiago de Compestela Cathedral in northern
|
||||
Spain. Over time the various routes materialized into a network, denoted by sea
|
||||
shells or sea shell symbols, which stretches throughout Europe and which people
|
||||
continue to use today.
|
||||
|
||||
Even as the guide was telling us about it I knew I wanted to do. As the trip
|
||||
wore on I talked to a few people who had done the pilgrimage, and for every one
|
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I became more and more convinced that I must do it.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="bruges-canal-2018.jpg" width=1920
|
||||
descr="Canals of Bruges, 2018"
|
||||
%}
|
||||
|
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I made a few friends in my hostel, our friendship having been forged in the
|
||||
struggle of trying to find an affordable meal in Bruges. Every restaurant in
|
||||
Bruges, it seemed, did "full" meals, where you pay a fixed amount and get two,
|
||||
three, or four courses. But the fixed amount was never lower than €45, and so we
|
||||
spent a lot of time searching for alternatives. After a lot of searching we
|
||||
found a couple places which were reasonably priced for the couple nights we were
|
||||
all there, and one of the group knew of a hard-to-find pub which made and sold
|
||||
13% alcohol beer for a few euro. After all that Bruges wasn't as unaffordable
|
||||
as it first seemed, and was a lot of fun, but it took a bit of work to make it
|
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so.
|
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|
||||
After Bruges I took a bus back to Brussels, where I hung out for a while waiting
|
||||
for my next bus which would take me across the pond.
|
||||
|
||||
## London, England
|
||||
|
||||
Getting to London was honestly one of the most exciting parts of that trip. The
|
||||
Channel Tunnel, or "Chunnel", runs from France, underneath the English Channel,
|
||||
and pops back up in England. In the tunnel is a giant train which ferries cars
|
||||
and buses through the tunnel. Taking the Chunnel was as easy as buying a bus
|
||||
ticket from Brussels to London, and passing through three passport checks along
|
||||
the way (the UK check being the most intense passport check of my entire
|
||||
journey, for whatever reason).
|
||||
|
||||
While the London Underground (The Tube, as the British call it, in their very
|
||||
endearing habit of giving everything an endearing nickname) was easy enough to
|
||||
use, though _very_ expensive, so I spent a lot of time walking in the bitter
|
||||
cold. London is a _huge_ metropolitan city, filled to the brim with shops and
|
||||
restaurants and plenty of other attractions to grab tourists. But despite their
|
||||
best efforts, none were more grabbing to me than the museums.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="london-steg-2018.jpg" width=1920
|
||||
descr="Stegosaurus at the Natural History Museum. London, 2018"
|
||||
%}
|
||||
|
||||
All the major museums in London are free to enter. This includes the National
|
||||
Gallery, exhibiting paintings and art from the world over, the Natural History
|
||||
Museum (my favorite), with its seemingly infinite halls of fossils and stones
|
||||
and pre-historic artifacts, and the British Museum, which exhibits many of the
|
||||
archeological treasures the British have stolen from other cultures throughout
|
||||
history.
|
||||
|
||||
There's a significant amount of controversy surrounding the British Museum, and
|
||||
whether or not it's right for it to keep artifacts like the Rosetta Stone, and
|
||||
sculptures from the Parthenon of Athens. The argument is that the British were
|
||||
not really _given_ these artifacts by the peoples/cultures which originated
|
||||
them, and so the museum is effectively parading stolen property.
|
||||
|
||||
The British Museum argues that, in fact, it's encouraging the spread of culture
|
||||
and understanding by collecting these artifacts from around the world and
|
||||
displaying them in context to each other, and that its mission is charitable to
|
||||
the cultures from which the artifacts are taken. And additionally that: "[the]
|
||||
restitutionist premise, that whatever was made in a country must return to an
|
||||
original geographical site, would empty both the British Museum and the other
|
||||
great museums of the world".
|
||||
|
||||
The argument that they're actually spreading culture is pretty patronizing, as
|
||||
if the people they've stolen from don't know how to do this best for themselves,
|
||||
and as if they should obviously _want_ this to be done for them. As for the
|
||||
argument that restitutionism would empty the museum, I can only imagine a
|
||||
restitutionist responding: "Yes, that's the point". It's one thing for a museum
|
||||
to be given or loaned an item for display by another people, but quite another
|
||||
to assume the right to take an item regardless of its peoples' wishes.
|
||||
|
||||
Besides some very good fish and chips, London didn't have all that much else for
|
||||
me. The museums were insanely crowded, with everyone pushing over themselves to
|
||||
fill out their selfie-with-famous-objects-bingo-cards; my hostel was weird (all
|
||||
of my hostels in the UK were weird, in fact; more on that in Ireland); and
|
||||
everything was quite expensive. I wasn't too sad to leave.
|
||||
|
||||
## Dublin, Ireland
|
||||
|
||||
My bus dropped me off at a small ferry terminal in Holyhead, a town in Wales.
|
||||
From there I took the couple-hour ferry ride to Dublin.
|
||||
|
||||
I spent only a couple of days in Dublin, but one of those days I struggled to be
|
||||
a living human while fighting off the flu. I still managed to walk down to
|
||||
Trinity College to see The Book of Kells and the college library's Long Room,
|
||||
but the memory of it is fuzzy. I'm sure I looked as dead as the people who wrote
|
||||
those books.
|
||||
|
||||
That day I mostly hung out at the hostel. Hostels in the UK have a very
|
||||
different atmosphere than everywhere else; there's a fairly bad housing crisis
|
||||
occurring in most major cities (like the three I went to), and often it's
|
||||
cheaper to live in a hostel than to rent an apartment. So the hostels I stayed
|
||||
in were filled with people who'd been there for months, some of them working,
|
||||
others trying to find work, others just lounging. But the dichotomy between
|
||||
people who were just passing through and people who were there long term made it
|
||||
a less than stellar experience. The long-term residents all knew each other and
|
||||
formed cliques, and generally took up the common spaces, so if you weren't
|
||||
already traveling with others (like me) it was pretty easy to feel excluded.
|
||||
|
||||
On the second day I decided to go on a day trip out of Dublin. The city was
|
||||
neat, but I wasn't finding all that much I wanted to do inside of it. I found a
|
||||
bus company which did day trips to Glendalough, a valley which holds
|
||||
the ruins of a 6th century monastary, a beautiful lake, many hiking trails, and
|
||||
some sheep. I spent the day hiking, wandering around the ruins, and escaping an
|
||||
incoming snow storm. By the end of it all my sickness from the previous day was
|
||||
completely gone, and I slept the whole bus ride back.
|
||||
|
||||
## Edinburgh, Scotland
|
||||
|
||||
I left Dublin just as the Beast from the East made landfall. A giant cold wave
|
||||
brought in tons of snow and unseasonably low temperatures, stretching all across
|
||||
Europe. My plane must have been one of the last ones to land in Edinburgh,
|
||||
because for the next 2 days the entire city was completely snowed in, and most
|
||||
stores and attractions were closed.
|
||||
|
||||
The tourist industry heavily plays up that Edinburgh is the city where JK
|
||||
Rowling wrote most of the _Harry Potter_ books, and you can see its influence
|
||||
clearly. The towering gothic cathedrals, castles on cliffs, old graveyards,
|
||||
dense cobblestone streets and dark alleys all feel like something right out of
|
||||
the books (though really it's the other way around). There was a cafe only a few
|
||||
blocks away from my hostel where JK Rowling apparently first started writing the
|
||||
books, a piece of trivia which the cafe has not failed to cash in on.
|
||||
|
||||
The city was quite peaceful, probably because everything was closed from the
|
||||
storm, but it felt like it might always be like that even in good weather. Most
|
||||
days I'd find a spot to hunker down and draw for a while, then in the afternoon
|
||||
go explore some sight or another; the castle, the royal mile, Calton Hill... Or
|
||||
I'd go in search of decent groceries, which were strangely difficult to find.
|
||||
The city is (said to be) built on seven hills, like Rome, and between the many
|
||||
steep stairways and narrow alleys navigating them, and packed snow and ice, it
|
||||
was quite difficult to explore too far.
|
||||
|
||||
While I spent five whole days in Edinburgh, I don't have much to talk about for
|
||||
it. It's probably one of the most unique cities I visited, with a lot of beauty
|
||||
and history and things to see, and I absolutely would love to go back. But
|
||||
despite all that, there was definitely a feeling a depression while I was there,
|
||||
like I was totally alone. When I got onto a plane and took off, I was more
|
||||
relieved than anything else.
|
||||
|
||||
## Amsterdam, The Netherlands
|
||||
|
||||
One of the first things I noticed when I landed in The Netherlands (which is
|
||||
such a strange name for a country, now that I'm typing it out) is that they have
|
||||
a sun. It's a stereotype that the UK doesn't get much sun, but it was absolutely
|
||||
a true one while I was there. There was literally cloud cover the whole time.
|
||||
That probably had to do with why my mood was down the whole time, unbenownst to
|
||||
me.
|
||||
|
||||
With my extremely pale ginger self back under the sun, it felt like I'd been
|
||||
holding my breath for weeks and I was now finally able to breathe again.
|
||||
|
||||
Amsterdam is sometimes called the Venice of the North. Like Bruges. Unlike
|
||||
Bruges, Amsterdam is gritty and in some places delapidated. The buildings are
|
||||
sinking into the soft, slightly-under-sea-level Holland soil, and so lean
|
||||
precariously over the streets. House boats line nearly all canals, many
|
||||
appearing abandoned. Most canals have a layer of debris and trash floating on
|
||||
them.
|
||||
|
||||
Some parts of the city are littered with bars and clubs and "coffee shops",
|
||||
giving them a grunge feel. And others had wildly colored houses and quiet
|
||||
corners on the canal. And then the museum district, with the amazing Van Gogh
|
||||
Musuem and the laborynthian Rijksmuseum (those were the two I went in, there's
|
||||
like five in that little square). And still there's the red light district, with
|
||||
sex shops and cheesy tourist shit and live shows and, obviously, prostitutes.
|
||||
They each have a little window where they try to grab your attention from. It's
|
||||
kinda weird.
|
||||
|
||||
Despite that, Amsterdam was probably my second favorite place I visted on the
|
||||
whole trip. Like Lisbon, the city feels real. The grunge lets you know people
|
||||
actually live there. The hostel I stayed in was really cool, and I made a bunch
|
||||
of friends. One of the nights there I confirmed a long-held suspicion: that I
|
||||
would hate bar crawls. Now I know for sure. On a different night me and friends
|
||||
went out, visited a "coffee shop", and hit up the Sex Museum. This turned out to
|
||||
be a great idea; it wasn't even that raunchy, just kind of mind-boggling.
|
||||
|
||||
Amsterdam also turned out to have the best Belgian fries I've ever had, for
|
||||
whatever reason, and they ended up being my lunch almost every day. I'd grab my
|
||||
fry-cone and wander the canals, finding small corners and tucked away cafes to
|
||||
sit and read at. I wouldn't have thought that a city known for nightlife could
|
||||
also be home to so many serene little spots; nevertheless, the city is full of
|
||||
them.
|
||||
|
||||
My bus out of Amsterdam was an 8 hour overnight journey which deposited me in
|
||||
Copenhagen. Before getting on the bus I killed the last of my "coffee" that was
|
||||
in my pocket, contorted myself into a ball fitting into the two seats of space I
|
||||
grabbed, and got the best sleep I've ever gotton on a bus.
|
@ -1,202 +0,0 @@
|
||||
---
|
||||
title: >-
|
||||
Mr. Worldwide, Pt. 0: Bailtrain to Bailtown
|
||||
description: >-
|
||||
Wherein I quit my job and prepare to leave the country
|
||||
series: mr-worldwide
|
||||
---
|
||||
|
||||
## Denver
|
||||
|
||||
In mid-2015 I moved to Denver, CO while continuing to work remotely at the
|
||||
company I had helped to found back in Gainesville, FL. Florida had been my home
|
||||
for my entire life, up until that point, and it felt like a change was needed.
|
||||
Denver was certainly a change, and ultimately I think it was one in the right
|
||||
direction, but it turned out to not be enough.
|
||||
|
||||
{% include image.html dir="mr-worldwide" file="denver-2017.jpg" width=1696 %}
|
||||
|
||||
While in Denver I'd rented a tiny studio apartment, which over the
|
||||
course of two years I'd learned to live in. Living large is pretty easy; for
|
||||
some reason we (generally) find it more difficult to throw something away than
|
||||
to exert the effort to make space for it in our lives. It takes a non-trivial
|
||||
amount of trial-and-error to figure out a smaller lifestyle with fewer things.
|
||||
So minimalism is something I started to practice, and continue to practice, in
|
||||
the literal sense of the word, often failing at it. But I find the challenge to
|
||||
be worth it.
|
||||
|
||||
I'd always separated my work-place from my living-place, mentally. Eventually I
|
||||
realized that just because the two places were physically separate doesn't mean
|
||||
they aren't a part of the same thing. At the most basic level I work in order to
|
||||
afford basic necessities, like food and clothing and shelter. I have a dedicated
|
||||
home because it's the most efficient way to keep myself fit and healthy and
|
||||
clean, because it allows me to having my own ammenities and routines which work
|
||||
best for me.
|
||||
|
||||
But the more I work, the more I burn out and need to recuperate at home. The
|
||||
more time spent at home, the more things accumulate there and the more upkeep of
|
||||
the home is needed, which in turn requires money which requires work. The one
|
||||
leads to the other, and so they are really part of the same thing. I neither
|
||||
want to work nor spend a lot of time at home, but that's what my life had turned
|
||||
into. It was unbearable, and I had to change it.
|
||||
|
||||
## Mr. Worldwide
|
||||
|
||||
In early 2016 I took a trip to Japan with some friends. It was the first time
|
||||
I'd been out of the US (sans a family trip to Nova Scotia when I was like 9 or
|
||||
something). Going to Japan might as well have been a trip to an alien planet,
|
||||
and yet it was also familiar. I learned that no matter how different our
|
||||
cultures are, the individuals of the world aren't that different at all. By the
|
||||
end of that trip I felt as at-home in Japan as I did in Denver, if not more so,
|
||||
because of how much time I was able to spend exploring (rather than being cooped
|
||||
up working).
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="kyoto-2017.jpg" width=5257
|
||||
descr="Kyoto at sunset, 2017" %}
|
||||
|
||||
By the end of 2016 I knew I wanted to travel and see as much as possible, while
|
||||
working as little as possible in the meantime (except on my own ideas, as they
|
||||
came up and I felt like working on them). I began trimming down my life, with
|
||||
the aim of only having as many things as would fit into a backpack. It probably
|
||||
seemed to everyone like I was preparing to become a homeless person. In a way I
|
||||
kind of was.
|
||||
|
||||
My plan wasn't that I would never work again, or never live in a home again.
|
||||
Vagrancy isn't a sustainable way for me to live. But finding a life which didn't
|
||||
involve spending all my energy working while also not being homeless is surely
|
||||
possible, I knew, though maybe I wouldn't find it in the US. I began saving as
|
||||
much money as possible, and began thinking about where I might find that life.
|
||||
|
||||
Europe seemed as good a place to start the search as any.
|
||||
|
||||
## Leaving Denver
|
||||
|
||||
By the end of 2017 I was ready to go. I had saved nearly $20k, had put in notice
|
||||
that I'd be leaving my job at the end of the year, and had given notice to my
|
||||
landlord of the same. My friends in Denver saw me off, and my friend Ibrahim
|
||||
gave me a small notebook to take notes in as I traveled, with some helpful
|
||||
phrases that might aid me along the way
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="notebook.jpg" width=3036
|
||||
descr="Ibrahim made sure I was covered if I ever found myself in a tight spot"
|
||||
%}
|
||||
|
||||
I drove all my things back to my parents' house in Miami just before Christmas,
|
||||
and enjoyed Christmas and New Year's with them. In mid-January I grabbed my
|
||||
single backpack, said goodbye to my parents, and headed to the airport. It had
|
||||
worked out to be cheaper to fly back to Denver before flying to Europe, so I
|
||||
spent another day there saying hello/goodbye to everyone again, collecting some
|
||||
recommendations of places to go while I was there, and continued on to Europe.
|
||||
|
||||
## The Loadout
|
||||
|
||||
(Wherein I give a summary of what I had with me throughout the trip, with
|
||||
affiliate links sprinkled in, cause money. You can skip this section if you
|
||||
don't really care).
|
||||
|
||||
I'd already had a [40L backpacking bag](zulu) which had done me well enough on a
|
||||
couple trips already, so I decided to try and only use that. Other ~~homeless~~
|
||||
backpackers tend to go a little bigger, but they risk not being able to fit
|
||||
their bags in luggage overhead on planes. I also ended up needing a smaller day
|
||||
bag almost immediately, since being out and about all day necessitates bringing
|
||||
some things with you. The big bag/day bag combo is a classic amongst ~~the
|
||||
homeless~~ backpackers.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="loadout-packed.jpg" width=4048
|
||||
descr="All packed up, one for overhead and the other for under the seat"
|
||||
inline=true
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="loadout-unpacked.jpg" width=4048
|
||||
descr="(Almost) everything, unpacked"
|
||||
inline=true
|
||||
%}
|
||||
|
||||
Most space in the bag is taken by clothes. Which clothes I actually had along
|
||||
changed as the weather changed and I gained and lost things. But my general
|
||||
clothing strategy consisted of a few key points:
|
||||
|
||||
* All things need to be re-wearable, 2 to 3 days at least. This is more
|
||||
difficult for under layers, but wool is ideal as it's durable, warm, and it
|
||||
quickly-dries (which means the fungi/bacteria, which would otherwise cause
|
||||
smell, quickly-die). Wool socks were easy to find on sale for $5 a pair at the
|
||||
end of winter. Wool undershirts (smart wool or merino) are findable on eBay
|
||||
with some difficulty. [Uniqlo][uniqlo] makes good undershirts to fill in
|
||||
when wool undershirts are too expensive. [ExOfficio][exofficio] is worth the
|
||||
money in the underwear department. A pair of leggings is also super worth it
|
||||
for the cold.
|
||||
|
||||
* For pants I went with three pairs; one beat-up pair, one casual, and one a bit
|
||||
nicer, and a few wool shirts/sweaters. Later in the trip, as summer rolled
|
||||
around, I'd pick up some shorts as well. My couple of wool shirts/sweaters
|
||||
were trivial to find on eBay.
|
||||
|
||||
* For shoes I went with a pair of flip-flops and a pair of [waterproof
|
||||
boots][timbs] (also from eBay). The boots I chose for being able to be used in
|
||||
basically any occasion where flip-flops wouldn't do (marathons excepted).
|
||||
|
||||
* I really can't stress enough how great wool is. That said, I would have died
|
||||
without [this jacket][jacket], which was well worth the relatively tiny amount
|
||||
of space it took up. Same can be said for my [linen towel][towel], which
|
||||
struck a perfect balance between packability and being a towel.
|
||||
|
||||
* Other random things which were must-haves: rubber bands (for tying up
|
||||
clothes), sewing kit, external phone battery, tape, super glue, umbrella, and
|
||||
a small package of baby wipes.
|
||||
|
||||
* I also insisted on bringing a laughably small and old netbook with me, cause
|
||||
I get cranky if I can't code now and then.
|
||||
|
||||
Even before deciding on doing this trip I had begun purging all my old clothes
|
||||
in favor of a much smaller set of more durable, though perhaps more expensive,
|
||||
ones. So a lot of these clothes carried over from that, and all that I just
|
||||
described is really my current wardrobe.
|
||||
|
||||
[zulu]: https://www.amazon.com/gp/product/B015SBLO28/ref=as_li_tl?ie=UTF8&tag=mediocregophe-20&camp=1789&creative=9325&linkCode=as2&creativeASIN=B015SBLO28&linkId=84ffbb4c20cf4dfcee00485312c1d5c3
|
||||
[uniqlo]: https://www.uniqlo.com/us/en/men/undershirts
|
||||
[exofficio]: https://www.amazon.com/gp/product/B001M0MN0C/ref=as_li_tl?ie=UTF8&tag=mediocregophe-20&camp=1789&creative=9325&linkCode=as2&creativeASIN=B001M0MN0C&linkId=a1a2a1fac9c23c44c0633d0e7170fb98
|
||||
[timbs]: https://www.amazon.com/gp/product/B019CVV1AK?ie=UTF8&tag=mediocregophe-20&camp=1789&linkCode=xm2&creativeASIN=B019CVW406&th=1
|
||||
[jacket]: https://www.amazon.com/gp/product/B013HAXSLC/ref=as_li_tl?ie=UTF8&tag=mediocregophe-20&camp=1789&creative=9325&linkCode=as2&creativeASIN=B013HAXSLC&linkId=44efbeb32af7cc0f303180ec70da207e
|
||||
[towel]: https://www.amazon.com/gp/product/B00WBC17N4/ref=as_li_tl?ie=UTF8&tag=mediocregophe-20&camp=1789&creative=9325&linkCode=as2&creativeASIN=B00WBC17N4&linkId=dec48e5d729a51790abad2286f08fe34
|
||||
|
||||
## (Lack of) Planning
|
||||
|
||||
The trip was deliberately not planned out. I knew I would show up in Munich,
|
||||
because I have a friend who lives there as well as a distant relative. But
|
||||
past that I figured "show up and look around" would suffice. My motto for the
|
||||
trip would eventually become "plans are just lists of things which won't
|
||||
happen". From start to finish the only plans I had figured out at any moment was
|
||||
a general trajectory and my next destination. Rarely was my next place to sleep
|
||||
booked more than a week ahead of time, or my next bus or train ticket bought
|
||||
more than a day before.
|
||||
|
||||
It could not have worked any other way. For a short trip it might be viable to
|
||||
have an itinerary with a list of destinations/sights which will be visited and
|
||||
all the traveling needed in between, but the strictness of an itinerary always
|
||||
adds tension. Rather than spend some pre-allotted time at each sight, adding a
|
||||
feeling of being on a timer no matter where you are, I would rather just meander
|
||||
around and spend as much time as feels right at each place. There's zero chance
|
||||
of seeing all there is to see, no matter how much is planned, so might as well
|
||||
see each thing in as much depth and detail as you feel like.
|
||||
|
||||
And looking back, I don't think I _did_ miss all that much. Each city has its
|
||||
notable sights, and you can know by looking around and talking to other people
|
||||
which ones are right for you. Start with those, if there's time do the others,
|
||||
but you won't feel like you've missed anything if you don't get to them.
|
||||
|
||||
Much later in my trip someone would ask me and another backpacker (who'd been
|
||||
traveling even longer than me) if we had advice for him. The other backpacker
|
||||
immediately replied "Just keep your head on a swivel". As in, just look around
|
||||
you, keep your eyes open, you'll see all you want and need to. My grandma gave
|
||||
me similar advice before I left, when I asked her what I should do in Spain (her
|
||||
home country): "Oh, you don'thave to do anything. You see something you like,
|
||||
you go there. You see something else, you go there instead. There is nothing you
|
||||
have to do".
|
||||
|
||||
## Bailing
|
||||
|
||||
In the next post I will actually leave and begin my _adventure_.
|
@ -1,682 +0,0 @@
|
||||
---
|
||||
title: >-
|
||||
Mr. Worldwide, Pt. 1: Europe
|
||||
description: >-
|
||||
Or: How I stopped worrying and learned to love tomatoes.
|
||||
series: mr-worldwide
|
||||
---
|
||||
|
||||
# Munich, Germany
|
||||
|
||||
I arrived in Munich late at night on January 14th. My friend Caitlin met me at
|
||||
the train station, and walked me over to her house to drop my stuff off. Jetlag
|
||||
hit me real good at this point, so I only barely remember her taking me to a
|
||||
nearby biergarten to get some food and catch up. The next day we headed down to
|
||||
the center of the city, and she showed me around the sights, like Marienplatz
|
||||
and the Frauenkirche (one of many famous churches in Munich).
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="munich-victory-gate-2018.jpg" width=4048
|
||||
descr="Siegestor (Victory Gate), Munich, 2018"
|
||||
%}
|
||||
|
||||
As we walked and ate our way through the day Caitlin updated me on all of the
|
||||
things that I should expect to be different in Europe, like how water is never
|
||||
free anywhere, nor are public restrooms; like how many buildings which are still
|
||||
used and lived in are older than our entire country; like how people use cash
|
||||
instead of card, and get irritated if you make them break a large bill, or they
|
||||
just might not do it at all; like how even in a large city like Munich
|
||||
everything can still be closed on a Sunday.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="munich-moosach-2018.jpg" width=3036
|
||||
descr="Moosach neighborhood, Munich, 2018"
|
||||
float="right"
|
||||
%}
|
||||
|
||||
The thing which struck me most about Munich was how quiet it was. The din of
|
||||
traffic is so ingrained into me that I don't even hear it until it's not there.
|
||||
And to not hear it inside of a city was very strange. More than sound, there was
|
||||
a quietness of life. It didn't feel like people were rushed, with too much to do
|
||||
and too little time. People crowded onto the subway, but not with impatience,
|
||||
and people walked home from the train station after work without hurry. It was
|
||||
like the priorities of the whole culture were different in some fundamental way
|
||||
that I could never quite put a finger on.
|
||||
|
||||
Caitlin worked during the week, and so I was set free into the City for a few
|
||||
days. I visited more churches, ate more food, hung out at the library figuring
|
||||
out the next steps of my travels, and just generally wandered around the city.
|
||||
|
||||
One snowy day I had lunch with a distant relative on my mom's side, who is an
|
||||
artist in Munich. I met her at her studio, and from there we wandered around
|
||||
various museums, where she gave me a private guided tour of the exhibits. We
|
||||
talked about politics, and about how immigration is affecting it, and about
|
||||
Trump (of course), and about art, and school, and our different cultures. She
|
||||
told me that Europe had always looked to the U.S. as a kind of older brother,
|
||||
but now that image was starting to fall apart, and I told her about the tiny
|
||||
house and minimalism movement that is hopefully picking up steam in the U.S.,
|
||||
and about my friend who is living in a van and traveling around the country. I
|
||||
learned a lot that day, and when I headed back to Caitlin's afterwards I felt
|
||||
much more at home in the country and continent than I had before.
|
||||
|
||||
A week after arriving it was time for me to continue on. One cold morning I
|
||||
hopped onto a bus, rode through a snowy Switzerland, and hopped off into a
|
||||
bright and sunny Milan.
|
||||
|
||||
## Milan, Italy
|
||||
|
||||
My first impression of Milan was: "Wow, this place is sketchy". The streets were
|
||||
dirty, old, and covered in graffiti. There were homeless people everywhere,
|
||||
people selling bootleg clothes in the street, scammers targeting tourists, and a
|
||||
general disheveldness which Munich didn't have. But on the other side of that
|
||||
coin, Milan is one of the fashion capitals of the world, and everywhere I looked
|
||||
there were also beautiful people in expensive looking clothes, driving fancy
|
||||
cars, and eating at fancy cafes. Where Munich was simple and wealthy, Milan was
|
||||
lavish and disparate.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="milan-street-2018.jpg" width=4048
|
||||
descr="The streets of Milan, 2018"
|
||||
%}
|
||||
|
||||
My hostel in Milan was called the Ostello Bello, and was probably the best one I
|
||||
could have gotten as my first hostel in Europe. The hostel's downstairs area was
|
||||
a restaurant/bar, with some tables reserved for hostel guests. Upon arriving
|
||||
they immediately sat me down at one of those tables, where others were sitting,
|
||||
and said "this is Brian, talk to him". They did this with every person who
|
||||
arrived, as well as giving us free food and drinks, so that every night turned
|
||||
into a small party.
|
||||
|
||||
It took a while for me to fully break out of my shell and get used to meeting
|
||||
people in hostels, but if it weren't for Ostello Bello it might not have
|
||||
happened at all. Every night I got to hang out and make friends with people from
|
||||
South Korea, Scotland, Argentina, France, Switzerland, and locals from Milan
|
||||
too. So despite all the negative things I'm going to have to say about party
|
||||
hostels later, I'm grateful for Ostello Bello.
|
||||
|
||||
As far as Milan itself, the thing which impacted me the most was the Duomo. And
|
||||
boy did it impact me, so much so that I visited it twice. It's the third largest
|
||||
church in the world, but my experience of it was even better than when I would
|
||||
go to St. Peter's, the first largest, later on. The interior is so cavernous
|
||||
that all sounds echo virtually forever, creating a low hum which reminded me of
|
||||
the Hindu Om. To think that the words of a book carried such force that, 2000
|
||||
years later, people were erecting and maintaining incredible structures like the
|
||||
Milan's Duomo in their honor floored me. There's a lot of criticism which could
|
||||
and should be leveled towards the Catholic Church, but damnit they know how to
|
||||
build a building.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="milan-duomo-2018-0.jpg" width=1292
|
||||
descr="Milan's Duomo. In the lower left, tourists being scammed by a dude with pigeon food, 2018"
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="milan-duomo-interior-2018-0.jpg" width=4048
|
||||
descr="Interior of Milan's Duomo, 2018"
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="milan-duomo-interior-2018-1.jpg" width=727
|
||||
descr="Milan Duomo's creepy ass statue of Saint Bartholomew, 2018"
|
||||
float="right"
|
||||
%}
|
||||
|
||||
Besides the Duomo I also visited some museums and other sights, like the Sforza
|
||||
Castle, walking from one to the other as the days went on. Walking became a
|
||||
frequent past-time for me during my traveling. Between Google Maps and the
|
||||
external battery pack I always had with me, there was never a worry about
|
||||
getting lost, and with hostels generally being clustered near the sights it was
|
||||
rarely more than a half-hour walk to any given thing I wanted to see. So I got
|
||||
used to walking a lot, and taking public transit infrequently, and never once
|
||||
used a taxi or rental car while in Europe.
|
||||
|
||||
Five days after arriving in Milan I left it, having made many friends and
|
||||
having learned a lot about Italy and Italians. I also learned I was spending too
|
||||
long at each city: It was almost 2 weeks into my 3 month-max trip (for visa
|
||||
reasons), and I'd only been to two cities! From then on I kept to two or three
|
||||
days per city, depending on how much I cared about it, with a couple of five
|
||||
day-ers when I really needed a rest.
|
||||
|
||||
## Ravenna, Italy
|
||||
|
||||
After the hecticness of Milan I needed something more quiet. Before leaving the
|
||||
U.S. a friend had told me about Ravenna, the once capital of the Western Roman
|
||||
Empire and now small Italian city, where some of the world's oldest Christian
|
||||
structures still reside. Mosaics retain their original quality over time far
|
||||
better than many other mediums, and Ravenna was full of ones from as early as
|
||||
the 6th century. While not as glamorous and fast-paced as Milan, Ravenna really
|
||||
hit me with the depth of its history. As someone from the U.S., I'm not
|
||||
accustomed to seeing anything built before 1500, and yet here were buildings in
|
||||
excellent condition which were built a thousand years prior.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="ravenna-mosaic-2018-0.jpg" width=4048
|
||||
descr="Mausoleum of Galla Placidia, Ravenna, 2018"
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="ravenna-mosaic-2018-1.jpg" width=727
|
||||
descr="Basilica of San Vitale, Ravenna, 2018"
|
||||
float="right"
|
||||
%}
|
||||
|
||||
Something else which took some time to get accustomed to was using cash (what a
|
||||
segway!). By this point in the trip it had become somewhat second-nature, but
|
||||
only by way of many mishaps previously. In the U.S. using cash is usually a
|
||||
backup option, with credit/debit cards ruling supreme. ATMs never give out bills
|
||||
bigger than $20, and no establishment would ever complain about having to break
|
||||
a $20 except for maybe the smallest purchases. In Europe the ATMs (or cash
|
||||
machines, whatever) almost always give out €50 bills, which absolutely no one
|
||||
wants to break except big chain stores. It's a giant pain. I still remember the
|
||||
exact location of an ATM in Munich which gave me €10 bills, it was that exciting
|
||||
of a find, and I went out of my way to go back to it more than once.
|
||||
|
||||
So in addition to needing to keep an eye on your cash and get more out
|
||||
periodically, you also need to keep an eye out for places which will break your
|
||||
bills, and plan accordingly. Before leaving the U.S. I had gotten a debit card
|
||||
with free international ATM withdrawls at any ATM, so finding places to get cash
|
||||
out wasn't a problem, but breaking it always was.
|
||||
|
||||
But by the time I got back home, I missed doing everything in cash, and even
|
||||
kept doing it for a while in spite of my culture. While having to find places to
|
||||
break fifties was a pain, a little friction to making random purchases wasn't
|
||||
necessarily a bad thing. Instead of impulsively buying whatever was in front of
|
||||
me, I was incentivized to wait until a better opportunity arrose, generally by
|
||||
waiting until I could buy multiple things at the same time, which generally
|
||||
meant buying more efficiently because I was putting thought into it. Also, by
|
||||
always paying in cash, I had a better sense of how much I was actually spending
|
||||
day-to-day. In the U.S. we abhor inconvenience, but in my opinion our reluctance
|
||||
to use cash is a good example of how that abhorance can be to our own detriment.
|
||||
|
||||
## Florence, Italy
|
||||
|
||||
The train from Ravenna to Florence (or, as Italians spell it, _Firenze_) was
|
||||
uneventful. Finding the best route between cities turned out to be pretty
|
||||
straightforward. There's an app called GoEuro which helps compare different
|
||||
methods like bus, train, plane, and taxi/ride-sharing. There's another app
|
||||
called Rome2Trio which does roughly the same thing. And there's a bus company
|
||||
called FlexBus which I used quite a bit; their prices are good, their buses are
|
||||
new, and the UI of their site was made in the last decade.
|
||||
|
||||
Florence was by far my favorite city in Italy. On the one hand it was very
|
||||
trourist-friendly, and on the other it still retained the feeling of being a
|
||||
historic city. I split my time there between visiting museums and churches and
|
||||
finding the best/cheapest spots to eat. Before leaving home, a friend had told
|
||||
me to avoid any restaurants with pictures on their menu; they're targeted at
|
||||
tourists and priced accordingly. So my strategy for finding food involved
|
||||
marking off hole-in-the-wall spots in my maps app whenever I came across them
|
||||
during the day, and returning later when I was hungry
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="florence-2018-0.jpg" width=4048
|
||||
descr="Florence's Duomo near sunset, 2018"
|
||||
%}
|
||||
|
||||
On my second day in Florence I was sitting by the Uffizi, eating a panini, and I
|
||||
randomly met an art history student from Madrid who was also visiting Florence.
|
||||
Together we went to a bunch of museums, saw the David, and just generally hung
|
||||
out. I asked her a lot of questions at the museums, because, to be honest, I'd
|
||||
never understood what to make of art in museums.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="florence-2018-1.jpg" width=2688
|
||||
descr="River Arno, and the houses which still stand on it, Florence, 2018"
|
||||
%}
|
||||
|
||||
I'd already learned that, even if I could see a picture of something online,
|
||||
seeing it in person is way different. In person the colors in a painting pop out
|
||||
more (many even have gold leef paint which doesn't really show up in pictures at
|
||||
all, but makes a world of difference), there's a lot more detail to be seen, and
|
||||
the size of some is absolutely baffling. I also enjoy learning about history,
|
||||
and the history of art is effectively the history of the world. So museums had
|
||||
become a meditative place for me; I could go to one and just wander, taking in
|
||||
art pieces at whatever rate I liked, learning and thinking about history as I
|
||||
went.
|
||||
|
||||
<div style="text-align: center;">
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="florence-painting-2018-0.jpg" width=2688
|
||||
inline=true
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="florence-painting-2018-1.jpg" width=2688
|
||||
inline=true
|
||||
%}
|
||||
<p><em>Not pictured, the crowd of selfie-ers behind my trying to get a shot with
|
||||
The Birth of Venus, Florence, 2018</em></p>
|
||||
</div>
|
||||
|
||||
What had always confused me, though, was how to _judge_ art. As in, what makes
|
||||
one piece better than another, or what makes one artist better than another? Why
|
||||
do some paintings become famous and others remain obscure? What my friend from
|
||||
Madrid told me is that there's not really a metric. Some paintings become famous
|
||||
for historical reasons, either due to where they were originally displayed or
|
||||
some story associated with them. Same for some artists. Ultimately it's up to
|
||||
the individual to judge them. There was a painting in the same room as the
|
||||
famous Birth of Venus painting which I liked far more, and was happy to admire
|
||||
it alone as throngs of other tourists vied for good selfies with the more famous
|
||||
piece.
|
||||
|
||||
I left Florence with a greater appreciation and understanding of museums, as
|
||||
well as a good friend who I would be able to visit later while making my way
|
||||
through Spain.
|
||||
|
||||
## Rome, Italy
|
||||
|
||||
Rome surprised me when I got there, though, to be honest, it's not clear what my
|
||||
expectations actually were. The city center, aka the tourist center, is
|
||||
absolutely _massive_, and all of it is completely tourist-centric. Living in
|
||||
Rome must feel like living inside of Disney World. The city no longer exists for
|
||||
its residents, but instead has been completely swallowed by the tourism
|
||||
industry. Every street corner and storefront is filled with souvenir shops,
|
||||
overpriced food, clothing stores with "I <3 Rome" shirts, gelato shops, walking
|
||||
tour agencies, bike rentals, "experience" vendors (helicopter rides over the
|
||||
Colosseum! Oh my!), shitty jewelry stores, and so much more, all aimed at
|
||||
someone who has too much money and not enough time to spend it all.
|
||||
|
||||
My hostel was one of the cheapest I could find, but I was only staying two full
|
||||
days so it was fine. Seeing all of the sights of Rome in only two days is not
|
||||
recommended. The first day I went straight to the Vatican, getting there as
|
||||
early as possible to try (unsuccessfully) to beat the line. St. Peters is the
|
||||
largest church in the world, but being rushed I wasn't able to enjoy it like
|
||||
Milan's Duomo, and a lot of it was closed off unless you wanted to pay more. I
|
||||
wasn't able to spend enough time in it to enjoy it.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="rome-2018-3.jpg" width=4048
|
||||
descr="Pope for the day, Rome, 2018"
|
||||
%}
|
||||
|
||||
The Vatican museum was more enjoyable than I thought it would be. For starters
|
||||
it's huge, with tons and tons of things to see, including the Sistene Chapel. I
|
||||
took my time wandering around. After the museum I left the Vatican and wandered
|
||||
over to some other sights, like the Castel Sant'Angelo and the Pantheon. As the
|
||||
day wore on, and more and more tourists started pouring out, everything became
|
||||
impossibly crowded. It was difficult to really enjoy anything, what with
|
||||
everyone taking their phones out to capture anything and everything the
|
||||
guidebook said to, without really taking the time to take in the thing itself.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="rome-2018-2.jpg" width=4048
|
||||
descr="Did you know that Rome has more Egyptian obelisks than any other city in the world? That's a rock fact. Rome, 2018"
|
||||
%}
|
||||
|
||||
This was something I began to struggle with while I was in Rome. It wasn't
|
||||
always clear to me _why_ these people cared about these sights, with myself
|
||||
being included. My pessimistic self would say that people just want the social
|
||||
media points gained by a nice selfie in front of Trevi Fountain, and that the
|
||||
tourism explosion which has started in the last decade is driven by that
|
||||
narcissism. My more charitable self might say that everyone understands that the
|
||||
journey matters more than the destination, and that seeing the sights isn't
|
||||
really the point, but rather prefer the adventure taken with friends and/or
|
||||
family, and so they snap a quick picture and continue on with their good time.
|
||||
|
||||
The reason people travel and visit tourist spots is really only their business,
|
||||
and I can't be one to judge. It just seems unfortunate to take an entire city,
|
||||
arguably the most important city in written history, and turn it into a theme
|
||||
park for the sake of people who don't actually care all too much about it. I
|
||||
carried this realization with me for the rest of my trip, that tourism is a
|
||||
deal-with-the-devil; it takes the money of people who, ostensibly, find some
|
||||
place interesting, in exchange for driving away the original inhabitants of that
|
||||
place who made it interesting in the first place.
|
||||
|
||||
Later on I would learn that the creep of tourism and the dreaded plague of
|
||||
"gentrification" were spoken of as the same thing in popular destinations. The
|
||||
problem of wealthy people driving out the inhabitants of a city in order to take
|
||||
part in the city culture, which the original inhabitants created, is a global
|
||||
one, and one I'm certainly a part of. I moved to Denver because I liked the
|
||||
culture of that city, and was fortunate enough to be able to afford to do so,
|
||||
but then left only three years later, and was now doing the same in even shorter
|
||||
time periods in cities the world over.
|
||||
|
||||
I obviously didn't stop being a tourist after Rome, but I made a conscious
|
||||
attempt to be a better one. I put down the guidebook (or, in my case, the guide
|
||||
app) and tried to explore more naturally, taking in each sight as I found it,
|
||||
and learning as much about it as I could. Rather than trying to see a little of
|
||||
everything, I would find something which really called out to me and focus on
|
||||
that. It's a tough predicament to be in; it's important to go out and see the
|
||||
world, to meet people from all different cultures and see all the ways they
|
||||
live, but doing so is, often, detrimental to those cultures. It was tough to
|
||||
find a balance I was comfortable with, and I'm still not sure a "correct"
|
||||
balance actually exists.
|
||||
|
||||
<div style="text-align: center;">
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="rome-2018-0.jpg" width=4048
|
||||
inline=true
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="rome-2018-1.jpg" width=1920
|
||||
inline=true
|
||||
%}
|
||||
<p><em>All that said, the Colosseum was pretty baller. Rome, 2018</em></p>
|
||||
</div>
|
||||
|
||||
My second day in Rome I spent at the Colosseum and the Palatino, but I was so
|
||||
utterly exhausted and brain-melted I barely remember them. I left Rome
|
||||
with a ton of things left unseen, but without any regret about it. Italy itself
|
||||
had far too much for me to do in this trip, and I knew I'd be back one day, both
|
||||
to Italy and to Rome itself. On the third day I hopped on a plane, flew across
|
||||
the sea, and landed in Spain.
|
||||
|
||||
## Barcelona, Spain
|
||||
|
||||
Barcelona definitely made my list of favorite places I visited. Having come from
|
||||
a city which didn't feel like much more than a playground for tourists, it was
|
||||
refreshing to be in one which felt more real. Spaniards seemed to be friendlier
|
||||
than Italians as well, and my hostel was filled with characters from the UK to
|
||||
Brazil to Russia.
|
||||
|
||||
There was an architect in Barcelona named Antoni Gaudí, who died in 1926, but
|
||||
left an indelible impression on the city. If I hadn't known when he lived and
|
||||
died I might have thought he founded the place, he's that ubiquitous. His style
|
||||
is completely strange; his exteriors look like something out of Candy Land,
|
||||
while the interiors seem to come from a utopian sci-fi.
|
||||
|
||||
What blows my mind is that, for whatever reason, they let him build a church.
|
||||
|
||||
La Sagrada Familia isn't actually completed yet. Gaudí took it over in 1883, a
|
||||
year after it had been started, and worked on it until the day he died. He knew
|
||||
he wouldn't live to see the completion of the project, and so laid out the plans
|
||||
such that it could be completed without him. The church has been slowly
|
||||
constructed using private funds and donations since then.
|
||||
|
||||
<div style="text-align: center;">
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="sagrada-familia-outside-2018-0.jpg" width=1080
|
||||
inline=true
|
||||
%}
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="sagrada-familia-outside-2018-1.jpg" width=1080
|
||||
inline=true
|
||||
%}
|
||||
<p><em>Outside faces of La Sagrada Familia, Barcelona, 2018</em></p>
|
||||
</div>
|
||||
|
||||
The outside presents two faces, one a mishmash of sculpture which resembles
|
||||
melting ice-cream, and the other highly geometrical, both filled with biblical
|
||||
scenes and small details. Neither really prepares you for what the inside will
|
||||
be like.
|
||||
|
||||
<div style="text-align: center;">
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="sagrada-familia-inside-2018-0.jpg" width=1080
|
||||
inline=true
|
||||
%}
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="sagrada-familia-inside-2018-1.jpg" width=1080
|
||||
inline=true
|
||||
%}
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="sagrada-familia-inside-2018-2.jpg" width=1080
|
||||
inline=true
|
||||
%}
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="sagrada-familia-inside-2018-3.jpg" width=1080
|
||||
inline=true
|
||||
%}
|
||||
<p><em>The incredible interior of La Sagrada Familia, Barcelona, 2018</em></p>
|
||||
</div>
|
||||
|
||||
I'd been in a lot of churches and cathedrals up till this point. Even when they
|
||||
were as mind blowing as Milan's Duomo, they all followed a similar pattern:
|
||||
gothic, brooding, ornate, almost dark in a way.
|
||||
|
||||
La Sagrada Familia is none of those things. It shirks the gothic style almost
|
||||
completely, instead adopting one inspired by natural shapes and patterns. It
|
||||
feels more like being under a canopy of trees than being in a building. There's
|
||||
light, and color, and organic shapes, like the tree-trunk-like columns and the
|
||||
flower ceiling. And yet there's also a geometric pattern-ness to everything,
|
||||
which hints at an order and intent for everything in sight, so your eye is drawn
|
||||
in to investigate every detail without needing ornamentation to grab it.
|
||||
|
||||
It's lucky that I hadn't made any other plans for that day, because I spent
|
||||
nearly two hours at that church, walking around, taking it all in, sitting
|
||||
and contemplating, holding back tears a lot of the time, not being successful at
|
||||
it the rest. This might have been the first building I'd ever felt gratitude
|
||||
for. Where the traditional catholic building has, as a foundation, a call to
|
||||
authority, this one had a call to nature and humanity. And rather than being the
|
||||
crackpot dream of a single person, it had been carried on and supported and
|
||||
built by many others long after he had died. It was a reflection of an ongoing
|
||||
change in a society which I was grateful to see.
|
||||
|
||||
I left Barcelona with a new understanding of churches, and what they might
|
||||
represent, even for someone who's not catholic. They're a space that's been set
|
||||
aside with the fundamental purpose of sitting quietly and thinking about things
|
||||
larger than oneself. Thinking about one's place in society, or in nature, or in
|
||||
the universe, and thinking about how that affects one's actions. Every society
|
||||
on earth has these spaces, though they go by different names, and have lots of
|
||||
different decorations. Each one of these spaces carries a message about what
|
||||
that society has ascribed importance to, and the message La Sagrada Familia
|
||||
carried with it was refreshing.
|
||||
|
||||
## Madrid, Spain
|
||||
|
||||
Originally I hadn't planned on going to Madrid at all, but in Florence I met
|
||||
someone who lived there and so decided to spend a couple nights hanging out.
|
||||
Going on a tour of a city is one thing, but going with a local is something
|
||||
completely different. We saw some of the things a tourist is supposed to see,
|
||||
like the opera house, the palace, and whatever this building is:
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="madrid-2018.jpg" width=3036
|
||||
descr="This Schweppes building is called the Edificio Carrión, and is famous for reasons. Madrid, 2018"
|
||||
%}
|
||||
|
||||
But more than that, I got to see what it was like to actually live in a city
|
||||
like Madrid, as a normal person. A fancy tapas restaurant is too expensive
|
||||
there, so we went to a local bar that did it more simply and cheaply. We also
|
||||
ate kebab, which is the European equivalent of the corner mexican or chinese
|
||||
joint in the states; a place with cheap, good food, open late, run by
|
||||
immigrants.
|
||||
|
||||
Mostly, we walked around and talked. We talked about colonialism, and oppression
|
||||
and guilt, and about the Spanish Civil War and fascism, and about Catalan and
|
||||
its desire for independence, about capitalism, and the pain it causes, and about
|
||||
tourism and gentrification, and about royalty and aristocracy, and about
|
||||
language and culture. Like in Munich, I learned a lot, and felt a lot closer to
|
||||
Spain than I had when I arrived.
|
||||
|
||||
I only spent one full day in Madrid, and afterwards took a bus, continuing
|
||||
south, down to Córdoba.
|
||||
|
||||
## Córdoba, Spain
|
||||
|
||||
It was on the bus to Córdoba that I remembered to actually book a place to stay
|
||||
there. I quickly grabbed an AirBnB in town, though, as it turned out, messed it
|
||||
up and it didn't get reserved. So there was an hour there, waiting at the
|
||||
Córdoba bus station, where I was trully homeless. I spent it booking another
|
||||
AirBnB, properly this time, and eating some bread and cheese from my backpack,
|
||||
and watching some birds fight over a loaf someone else had dropped.
|
||||
|
||||
This was the first AirBnB I'd gotten in Europe so far, up till this it had been
|
||||
only hostels (and one hotel, in Ravenna). While I'd enjoyed hostel life
|
||||
initially, especially my first taste of it in Milan, it had begun to wear on me.
|
||||
|
||||
What I'd found is that, first and foremost, hostels were trying to hit a certain
|
||||
feel. _Good vibes_ were words which I saw in many a hostel description and
|
||||
review, though didn't often actually experience. It's in the public
|
||||
consciousness that backpacking through Europe, going from hostel to hostel, is a
|
||||
journey filled with new experiences, new people, and lots of partying. And while
|
||||
that is _true_, a lot of hostels ignore hospitality in favor of playing up to
|
||||
that fantasy, to their own detriment.
|
||||
|
||||
A hostel's primary goal, like a normal hotel or AirBnB or whatever, shouldn't be
|
||||
to provide you with experiences, or help you meet new people, or enable your
|
||||
drinking and partying. These are certainly secondary goals it might have, if it
|
||||
wants. But the primary goal should be to make you feel comfortable and at home.
|
||||
And while the conceit of a hostel is that you are exchanging some physical
|
||||
comfort for cost, by having shared bunk rooms and common bathrooms and all that,
|
||||
comfort can be established through more than a fluffy bed. Some hostels I stayed
|
||||
at got this, most didn't.
|
||||
|
||||
If someone feels comfortable in a hostel they'll open up on their own, and
|
||||
naturally want to meet the people around them, go out partying, and have cool
|
||||
experiences. Or not. They'll do whatever the fuck they want to. But if a hostel
|
||||
is too focused on being cool and hip and showing off how good its vibes are,
|
||||
it's neglecting the basics, and then there's no partying, and the vibes aren't
|
||||
good.
|
||||
|
||||
So I was tired of party hostels, as I began calling them, having just been in
|
||||
one in Barcelona a few days prior, and instead spent the night in what turned
|
||||
out to be a brutally cold old building which had neither heat, sealed windows,
|
||||
or cooking device with which to make a hot meal. Which is what I get for being
|
||||
a snob, I guess.
|
||||
|
||||
In the morning I visted the Mosque/Cathedral of Córdoba. This site has had the
|
||||
odd history of having originally been a church, having then been converted to a
|
||||
mosque when the Moors took Spain in the 700s, and then converted back to a
|
||||
christian church in the 1200s when the catholics took Spain back, and has since
|
||||
been designated a cathedral. It retains much of the Moorish architecture, but
|
||||
with a church in the middle, and is an utterly fascinating place which I
|
||||
neglected to take any pictures of.
|
||||
|
||||
## Granada, Spain
|
||||
|
||||
This was probably one of the most interesting places I visited while traveling.
|
||||
Granada was once one of the most important Moorish cities in Spain, then briefly
|
||||
became a Jewish state, and then the seat of the Nasrid dynasty (the last Muslim
|
||||
dynasty in Spain), and then eventually went back to being a part of the Catholic
|
||||
empire. During this time it also had a large influx of Romani, and out of this
|
||||
mishmash of culture it became one of the birthplaces of flamenco.
|
||||
|
||||
My bus got in at night, but I was lucky enough to catch the last public bus from
|
||||
the bus station towards my hostel. It dropped me off in the Albaicín, an old
|
||||
Muslim quarter in the city, where the houses retain the old architectural style
|
||||
and the streets are narrow and winding. From there I walked uphill a ways to
|
||||
the Sacromonte neighborhood, the traditional home of the Romani in Granada. Here
|
||||
the people had dug out caves in the side of the mountain, and made them into
|
||||
homes. My hostel was in one of these caves.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="granada-2018-0.jpg" width=1329
|
||||
descr="The view from my hostel, Alhambra on the left. Granada, 2018"
|
||||
%}
|
||||
|
||||
The hostel was small and quiet, overlooking both the Alhambra (the castle on a
|
||||
hill, built by the Nasrids) and the rest of the city. The guys running it
|
||||
were chill; the owner was Dutch, and the other was Scottish. The Scot had come
|
||||
to Granada to live and study flamenco, and it was obvious from how he spoke
|
||||
about it that he was completely in love with the art and the people. On one
|
||||
night they took me out to a "real gypsy bar", as they called it.
|
||||
|
||||
The flamenco artists in town, the singers and guitarists and dancers, make a
|
||||
living performing for tourists, but this bar is, according to my guides, where
|
||||
they go after the shows to hang out. There was no music in the bar, but, as the
|
||||
night went on, three or four cliques formed up naturally, each around a guitar
|
||||
player and singer, with dancers circling around, the rest clapping to an
|
||||
indecipherable rhythm. The Scot knew the names of a few of the people playing,
|
||||
and told me that it was at gatherings like this that the musicians tried out new
|
||||
things and pushed the art further. It was the "real" flamenco.
|
||||
|
||||
After that we got kebab and went back to the cave.
|
||||
|
||||
Sacromonte is situated on the face of a valley, with the Alhambra being on the
|
||||
opposite side. So to get to the Alhambra I had to venture down to the valley
|
||||
floor, where Granada proper is, and found a very familiar tourist district
|
||||
filled with all the crap I'd seen in every other city. The Alhambra itself was
|
||||
interesting, but also packed, and I hadn't realized they only sell a limited
|
||||
number of tickets per day to get inside the castle, so I missed a lot of it. So
|
||||
I went back to the peace and quiet of Sacromonte.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="granada-2018-1.jpg" width=1329
|
||||
descr="Sacromonte and the valley below. Granada, 2018"
|
||||
%}
|
||||
|
||||
Being uphill and difficult to access by car, the Sacromonte was, in many ways,
|
||||
warded off from the wave of tourism which has swept the world and sucked the
|
||||
heart out of its cities. Only those willing to carry their bags 20 minutes
|
||||
uphill could disturb it. I found the absolute best spot possible, with benches
|
||||
overlooking the Alhambra and the city and the sunset, sitting and drawing for
|
||||
hours, and was only disturbed by one or two couples sharing the view in all that
|
||||
time.
|
||||
|
||||
I had originally planned to head back to Munich after Granada, but after talking
|
||||
with a lot of people who told me I _had_ to go to Portugal, I booked a bus to
|
||||
Lisbon at the last minute and set off. And damn I'm glad I did.
|
||||
|
||||
## Lisbon, Portugal
|
||||
|
||||
Sometimes called the San Fransisco of Europe, Lisbon is a city with beaches,
|
||||
historical buildings, perfect weather all-year round, earthquakes, and a large
|
||||
orange-red suspension bridge across a bay. Unlike San Fransisco, it's an
|
||||
affordable place to visit and the people who live there haven't been priced out
|
||||
by tech companies ([yet][google-lisbon]).
|
||||
|
||||
Part of why I liked Lisbon so much is that, while tourism is an absolutely huge
|
||||
industry, it didn't really feel that way. The Baixa district, where my hostel
|
||||
was, was certainly an area just for tourists. But it wasn't very big, and once
|
||||
outside of it you find yourself in somewhere like Alfama, which has been a
|
||||
blue-collar district since the Moorish invasion, and retains its winding
|
||||
cobblestone streets and narrow alleys. If you look at the skyline of Lisbon you
|
||||
won't find any highrises or office buildings, just 4 to 5 story apartment
|
||||
buildings and churches. It's a city meant for people to live, first and
|
||||
foremost, with business being secondary. And so, despite being the biggest city
|
||||
in the country, and 9th most visited city in Southern Europe, it still feels
|
||||
quiet and cozy.
|
||||
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="lisbon-2018.jpg" width=1772
|
||||
descr="The facade of a museum I was too poor to go in. Lisbon, 2018"
|
||||
%}
|
||||
|
||||
Another part of what made Lisbon stand out to me was the hostel I stayed in, and
|
||||
the people I met there. The hostel was _homey_. There was a small dining area
|
||||
with a single long table, a small living room with couches and chairs
|
||||
arranges in a circle, a decked out kitchen that anyone could use, and free
|
||||
sangria every evening. Rather than focus on partying and yolo and whatever, the
|
||||
owners focused on making it a home, where people would cook and eat and talk and
|
||||
hang out together. So that's what we did, every night, and in the mornings we'd
|
||||
meet up one more time to eat unlimited free pancakes from the kitchen. It was an
|
||||
amazing time.
|
||||
|
||||
While I was there, a museum had an exhibit devoted to M.C. Escher, the Dutch
|
||||
artist known for his tesselations, fractals, and generally paradoxical work.
|
||||
Escher had always been an artist I was aware of, and a year prior to this I had
|
||||
read the book _Gödel, Escher, Bach_ by Douglas Hofstadter and become even more
|
||||
interested. So I couldn't pass up the chance to see his work in person. And boy,
|
||||
did it leave an impression on me.
|
||||
|
||||
Having traveled to Córdoba and Granada in his early twenties, Escher was
|
||||
impressed by the Moorish architecture, specifically the tesselating tile
|
||||
patterns they used in decoration. He began trying to replicate their work, and
|
||||
ended up following what amounted to a mathematical investigation of geometry, in
|
||||
the context of art. The museum presented his work in largely chronological
|
||||
order, and, in seeing the progression of his ideas over decades, it really
|
||||
struck me both what a genius he was and how dedicated he must have been to have
|
||||
spun his wheels on the same problems for most of his life.
|
||||
|
||||
<div style="text-align: center;">
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="lisbon-escher-2018-0.jpg" width=513
|
||||
inline=true
|
||||
%}
|
||||
{% include image.html
|
||||
dir="mr-worldwide" file="lisbon-escher-2018-1.jpg" width=341
|
||||
inline=true
|
||||
%}
|
||||
<p><em>Tesselations, paradoxes, and tricks of perspective, Lisbon, 2018</em></p>
|
||||
</div>
|
||||
|
||||
For the rest of my trip, even through Asia, I would spend my time doodling
|
||||
tesselations of my own, trying to find the tricks that Escher found which let
|
||||
him make such complex images. I would find some, but certainly Escher still has
|
||||
the leg up on me.
|
||||
|
||||
Having traveled most of Southwest Europe at this point I flew back to homebase,
|
||||
Munich, to recuperate and figure out what my next steps would be. I left Lisbon
|
||||
promising myself that I'd be back, even considering finding a way to live there
|
||||
one day. While my life plans have since changed, it's not something I've totally
|
||||
ruled out.
|
||||
|
||||
[google-lisbon]: https://econews.pt/2018/01/29/from-google-to-amazon-technological-companies-are-moving-to-portugal-why/
|
||||
|
||||
## To be continued
|
||||
|
||||
In my next post of this series I'll tell the story of the second, and longest,
|
||||
leg of my European tour, where I go to Belgium, the UK, Scandinavia, Prague, and
|
||||
Berlin!
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