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@ -380,3 +380,90 @@ with a ton of things left unseen, but without any regret about it. Italy itself |
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had far too much for me to do in this trip, and I knew I'd be back one day, both |
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to Italy and to Rome itself. On the third day I hopped on a plane, flew across |
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the sea, and landed in Spain. |
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## Barcelona, Spain |
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Barcelona definitely made my list of favorite places I visited. Having come from |
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a city which didn't feel like much more than a playground for tourists, it was |
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refreshing to be in one which felt more real. Spaniards seemed to be friendlier |
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than Italians as well, and my hostel was filled with characters from the UK to |
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Brazil to Russia. |
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There was an architect in Barcelona named Antoni Gaudí, who died in 1926, but |
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left an indelible impression on the city. If I hadn't known when he lived and |
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died I might have thought he founded the place, he's that ubiquitous. His style |
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is completely strange; his exteriors look like something out of Candy Land, |
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while the interiors seem to come from a utopian sci-fi. |
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What blows my mind is that, for whatever reason, they let him build a church. |
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La Sagrada Familia isn't actually completed yet. Gaudí took it over in 1883, a |
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year after it had been started, and worked on it until the day he died. He knew |
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he wouldn't live to see the completion of the project, and so laid out the plans |
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such that it could be completed without him. The church has been slowly |
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constructed using private funds and donations since then. |
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<div style="text-align: center;"> |
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{% include image.html |
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src="mr-worldwide/sagrada-familia-outside-2018-0.jpg" |
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inline=true |
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%} |
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{% include image.html |
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src="mr-worldwide/sagrada-familia-outside-2018-1.jpg" |
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inline=true |
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%} |
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<p><em>Outside faces of La Sagrada Familia, Barcelona, 2018</em></p> |
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</div> |
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The outside presents two faces, one a mishmash of sculpture which resembles |
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melting ice-cream and the other highly geometrical, both filled with biblical |
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scenes and small details. Neither really prepares you for what the inside will |
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be like. |
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<div style="text-align: center;"> |
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{% include image.html |
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src="mr-worldwide/sagrada-familia-inside-2018-0.jpg" |
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inline=true |
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%} |
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{% include image.html |
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src="mr-worldwide/sagrada-familia-inside-2018-1.jpg" |
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inline=true |
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%} |
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{% include image.html |
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src="mr-worldwide/sagrada-familia-inside-2018-2.jpg" |
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inline=true |
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%} |
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<p><em>The incredible interior of La Sagrada Familia, Barcelona, 2018</em></p> |
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</div> |
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I'd been in a lot of churches and cathedrals up till this point. Even when they |
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were as mind blowing as Milan's Duomo, they all followed a similar pattern: |
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gothic, brooding, ornate, almost dark in a way. |
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La Sagrada Familia is none of those things; it shirks the gothic style almost |
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completely, instead adopting one inspired by natural shapes and patterns. It |
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feels more like being under a canopy of trees than being in a building. There's |
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light, and color, and organic shapes, like the tree-trunk-like columns and the |
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flower ceiling. And yet there's also a geometric patterness to everything, which |
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hints at an order and intent for everything in sight, so your eye is drawn in |
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to investigate every detail without needing ornamentation to grab it. |
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It's lucky that I hadn't made any other plans for that day, because I spent |
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nearly two hours at that church, walking around, taking it all in, sitting |
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and contemplating, holding back tears a lot of the time, not being successful at |
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it the rest. This might have been the first building I'd ever felt gratitude |
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for. Where the traditional catholic building has as a foundation a call to |
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authority, this one had a call to nature and humanity. And rather than being the |
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crackpot dream of a single person, it had been carried on and supported and |
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built by many others long after he had died. It was a reflection of an ongoing |
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change in a society which I was grateful to see. |
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I left Barcelona with a new understanding of churches, and what they represent, |
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even for someone who's not catholic, and even for someone who's not christian. |
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They're a space that's been set aside with the fundamental purpose of sitting |
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quietly and thinking about things larger than oneself. Thinking about one's |
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place in society, or in nature, or in the universe, and thinking about how that |
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affects one's actions. Every society on earth has these spaces, though they go |
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by different names, and have lots of different decorations. Each one carries a |
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message about what that society has ascribed importance to. |
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