added barcelona to next mr-worldwide post
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@ -380,3 +380,90 @@ with a ton of things left unseen, but without any regret about it. Italy itself
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had far too much for me to do in this trip, and I knew I'd be back one day, both
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to Italy and to Rome itself. On the third day I hopped on a plane, flew across
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the sea, and landed in Spain.
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## Barcelona, Spain
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Barcelona definitely made my list of favorite places I visited. Having come from
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a city which didn't feel like much more than a playground for tourists, it was
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refreshing to be in one which felt more real. Spaniards seemed to be friendlier
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than Italians as well, and my hostel was filled with characters from the UK to
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Brazil to Russia.
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There was an architect in Barcelona named Antoni Gaudí, who died in 1926, but
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left an indelible impression on the city. If I hadn't known when he lived and
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died I might have thought he founded the place, he's that ubiquitous. His style
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is completely strange; his exteriors look like something out of Candy Land,
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while the interiors seem to come from a utopian sci-fi.
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What blows my mind is that, for whatever reason, they let him build a church.
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La Sagrada Familia isn't actually completed yet. Gaudí took it over in 1883, a
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year after it had been started, and worked on it until the day he died. He knew
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he wouldn't live to see the completion of the project, and so laid out the plans
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such that it could be completed without him. The church has been slowly
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constructed using private funds and donations since then.
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<div style="text-align: center;">
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{% include image.html
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src="mr-worldwide/sagrada-familia-outside-2018-0.jpg"
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inline=true
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%}
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{% include image.html
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src="mr-worldwide/sagrada-familia-outside-2018-1.jpg"
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inline=true
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%}
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<p><em>Outside faces of La Sagrada Familia, Barcelona, 2018</em></p>
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</div>
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The outside presents two faces, one a mishmash of sculpture which resembles
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melting ice-cream and the other highly geometrical, both filled with biblical
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scenes and small details. Neither really prepares you for what the inside will
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be like.
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<div style="text-align: center;">
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{% include image.html
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src="mr-worldwide/sagrada-familia-inside-2018-0.jpg"
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inline=true
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%}
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{% include image.html
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src="mr-worldwide/sagrada-familia-inside-2018-1.jpg"
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inline=true
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%}
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{% include image.html
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src="mr-worldwide/sagrada-familia-inside-2018-2.jpg"
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inline=true
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%}
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<p><em>The incredible interior of La Sagrada Familia, Barcelona, 2018</em></p>
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</div>
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I'd been in a lot of churches and cathedrals up till this point. Even when they
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were as mind blowing as Milan's Duomo, they all followed a similar pattern:
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gothic, brooding, ornate, almost dark in a way.
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La Sagrada Familia is none of those things; it shirks the gothic style almost
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completely, instead adopting one inspired by natural shapes and patterns. It
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feels more like being under a canopy of trees than being in a building. There's
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light, and color, and organic shapes, like the tree-trunk-like columns and the
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flower ceiling. And yet there's also a geometric patterness to everything, which
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hints at an order and intent for everything in sight, so your eye is drawn in
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to investigate every detail without needing ornamentation to grab it.
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It's lucky that I hadn't made any other plans for that day, because I spent
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nearly two hours at that church, walking around, taking it all in, sitting
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and contemplating, holding back tears a lot of the time, not being successful at
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it the rest. This might have been the first building I'd ever felt gratitude
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for. Where the traditional catholic building has as a foundation a call to
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authority, this one had a call to nature and humanity. And rather than being the
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crackpot dream of a single person, it had been carried on and supported and
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built by many others long after he had died. It was a reflection of an ongoing
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change in a society which I was grateful to see.
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I left Barcelona with a new understanding of churches, and what they represent,
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even for someone who's not catholic, and even for someone who's not christian.
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They're a space that's been set aside with the fundamental purpose of sitting
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quietly and thinking about things larger than oneself. Thinking about one's
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place in society, or in nature, or in the universe, and thinking about how that
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affects one's actions. Every society on earth has these spaces, though they go
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by different names, and have lots of different decorations. Each one carries a
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message about what that society has ascribed importance to.
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