2018-09-06 17:11:00 +00:00
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---
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title: >-
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Mr. Worldwide, Pt. 1: Europe
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description: >-
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Or: How I stopped worrying and learned to love tomatoes.
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---
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## TODO
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## Outline
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- Denver
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- What I had
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- Why I left
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- Loadout
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- Road Trip
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- Ibrahim notebook
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- Choosing destinations
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- The First Leg
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- Munich
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- Silence
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- Relative
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- Italy
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- Milan
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- Ostello Bello, friends
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- Duomo
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- Walking/Getting around (Google maps)
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- Ravenna
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- Currency
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- Old monastaries, mosaics
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- Florence
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- Museums
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- Celia
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- Rome
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- Tourism's effect on a city
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- Too much to see in Italy, too little time
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- Spain
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- Barcelona
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- La Sagrada Familia, churches
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- Madrid
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- Royalty, revolution
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- Cordoba
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- Playing things close
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- Granada
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- Flamenco
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- Peace
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- Lisbon
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- Hostels
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- A city where people still live
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- Escher (Granada/Cordoba)
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- The Second Leg
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- Munich
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- No more pictures, no more tourism
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- Diet
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- Belgium
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- Brussels
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- Communism and french fries
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- Comic book museum
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- Drawing
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- Bruges
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- Beer
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- A fucking expensive fairytale
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- So cold, so scarfed
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- Camina Del Santiago
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- UK
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- London
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- Cost of museums, theft of culture
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- Dublin
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- Housing problems
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- Glendalough
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- Edinburgh
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- Reading/Writing
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- Harry Fucking Potter
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- Amsterdam
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- Pub crawl (partying vs ...)
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- Van Gogh
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- Weed
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- Sex (museum)
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- Copenhagen
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- Freedom (Christiania)
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- So many chairs
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- Stockholm
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- Tradition
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- Berlin
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- History
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- Movie
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- Prague
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- Wandering
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- Planning
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- The Third Leg
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- Munich
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- Alps, Olympics
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- Passport
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- Venice
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- Beauty in spite of tourism
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- Rijeka
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- Hitchikers
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- A strange beauty
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- Vienna
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- Riches and empire
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- A day at the palace
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- The Couchsurfing Cult
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- Athens
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- Culture
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- History
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# Munich, Germany
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I arrived in Munich late at night on January 14th. My friend Caitlin met me at
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the train station near her house and we walked over to it to drop my stuff off.
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Jetlag hit me real good at this point, so I only barely remember her taking me
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to a nearby biergarten to get some food and catch up. The next day we headed
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down to the center of the city, and she showed me around the sights, like
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Marienplatz and the Frauenkirche (one of many famous churches in Munich).
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{% include image.html
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src="mr-worldwide/munich-victory-gate-2018.jpg"
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descr="Siegestor (Victory Gate), Munich, 2018"
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%}
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As we walked and ate our way through the day Caitlin told me all of the things
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that are different in Europe, like how water is never free anywhere, nor are
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public restrooms; like how many buildings which are still used and lived in are
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older than our entire country; like how people use cash instead of card, and get
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irritated if you make them break a large bill, or they just might not do it at
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all; like how even in a large city like Munich everything can still be closed on
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a Sunday.
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{% include image.html
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src="mr-worldwide/munich-moosach-2018.jpg"
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descr="Moosach neighborhood, Munich, 2018"
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float="right"
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%}
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The thing which struck me most about Munich was how quiet it was. The din of
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traffic is so ingrained into me that I don't even hear it until it's not there.
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And to not hear it inside of a city was very strange. More than sound, there was
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a quietness of life. It didn't feel like people were rushed, with too much to do
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and too little time. People crowded onto the subway, but not with impatience,
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and people walked home from the train station after work without hurry. It was
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like the priorities of the whole culture were different in some fundamental way
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that I could never quite put a finger on.
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Caitlin worked during the week and so I was set free into the City for a few
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days. I visited more churches, ate more food, hung out at the library figuring
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out the next steps of my travels, and just generally wandered around the city.
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One snowy day I had lunch with a distant relative on my mom's side, who is an
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artist in Munich. I met her at her studio, and from there we wandered around
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various museums where she gave me essentially a private guided tour of the
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exhibits. We talked about politics, with Trump being the main topic of course.
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We talked about art, and school, and our different cultures. She told me that
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Europe had always looked to the US as a kind of older brother, but now that
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image was starting to fall apart, and I told her about the tiny house and
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minimalism movement that is hopefully picking up steam in the US. (TODO finish
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this paragraph).
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A week after arriving it was time for me to continue on. One cold morning I
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hopped onto a bus, rode through a snowy Switzerland, and hopped off into a
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bright and sunny Milan.
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## Milan, Italy
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My first impression of Milan was: "Wow, this place is sketchy". The streets were
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dirty, old, and covered in graffiti. There were homeless everywhere, people
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selling bootleg clothes in the street, scammers targeting tourists, and a
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general disheveldness which Munich didn't have. But on the other side of that
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coin, Milan is one of the fashion capitals of the world, and everywhere I looked
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there were also beautiful people in expensive looking clothes, driving fancy
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cars, and eating at fancy cafes. Where Munich was simple and wealthy, Milan was
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lavish and disparate.
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My hostel in Milan was called the Ostello Bello, and was probably the best one I
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could have gotten as my first hostel in Europe. The hostel's downstairs area was
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a restaurant/bar, with tables reserved for hostel guests. Upon arriving they
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immediately sat me down at one of those tables, where others were sitting, and
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said "this is Brian, talk to him". They did this with every person who arrived,
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as well as giving us free food and drinks, so that every night turned into a
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small party.
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It took a while for me to fully break out of my shell and get used to meeting
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people in hostels, but if it weren't for Ostello Bello it might not have
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happened at all. Every night I got to hand out and make friends with people from
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South Korea, Scotland, Argentina, France, Switzerland, and locals from Milan
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too. So despite all the negative things I'm going to have to say about party
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hostels later, I'm grateful for Ostello Bello.
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As far as Milan itself, the only thing which really impacted me was the Duomo.
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And boy did it impact me, so much so that I visited it twice. It's the third
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largest church in the world, but my experience of it was even better than when I
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went to St. Peter's, the first largest. The interior is so cavernous that all
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sounds echo virtually forever, creating a low hum which reminded me of the Hindu
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Om. To think that the words of a book carried such force that, 2000 years later,
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people were erecting and maintaining incredible structures like the Milan's
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Duomo in their honor floored me. There's a lot of criticism which could and
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should be leveled towards the Catholic Church, but damnit they know how to build
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a building.
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Besides the Duomo I also visited some museums and other sights, like the Sforza
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Castle, walking from one to the other as the days went on. Walking became a
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frequent past-time for me during my traveling. Between Google Maps and an
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external batter pack I always had with me there was never a worry about getting
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lost, and with hostels generally being clustered near the sights it was rarely
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more than a half-hour walk to any given thing I wanted to see. So I got used to
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walking a lot, and taking public transit infrequently, and never once used a
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taxi or rental car while in Europe.
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Five days after arriving in Milan I left it, having made many friends and
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having learned a lot about Italy and Italians. I also learned I was spending too
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long at each city: It was almost 2 weeks into my 3 month-max trip (for visa
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reasons), and I'd only been to two! From then on I kept to two or three days per
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city, depending on how much I cared about it, with a couple of five day-ers when
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I really needed a rest.
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## Ravenna, Italy
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After the hecticness of Milan I needed something more quiet. Before leaving the
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US a friend had told me about Ravenna, the once capital of the Western Roman
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Empire and now small Italian city, where some of the world's oldest Christian
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structures still reside. Mosaics retain their original quality over time far
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better than many other mediums, and Ravenna was full of ones from as early as
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the 6th century. While not as glamorous and fast-paced as Milan, Ravenna really
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hit me with the depth of its history. As someone from the US I'm not accustomed
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to seeing anything built before 1500, and yet here were buildings in excellent
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condition which were built a thousand years prior.
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Another thing which took some time to get accustomed to was using cash. By this
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point in the trip it had become somewhat second-nature, but only by way of many
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mishaps previously. In the US using cash is usually a backup option, with
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credit/debit cards ruling supreme. ATMs never give out bills bigger than $20,
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and no establishment would ever complain about having to break a $20 except for
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maybe the smallest purchases. In Europe the ATMs (or cash machines, whatever)
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almost always give out €50 bills, which absolutely no one wants to break except
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big chain stores. I still remember the exact location of an ATM in Munich which
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gave me €10 bills, it was that exciting of a find, and I went out of my way to
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go back to it more than once.
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So in addition to needing to keep an eye on your cash and get more out
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periodically, you also need to keep an eye out for places which will break your
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bills and plan accordingly. Before leaving the US I had gotten a debit card with
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free international ATM withdrawls at any ATM, so finding places to get cash out
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wasn't a problem, but breaking it always was.
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By the time I got back to the US, I missed doing everything in cash, and even
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kept doing it for a while in spite of my culture. While having to find places to
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break fifties was a pain, a little friction to making random purchases wasn't
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necessarily a bad thing. Instead of impulsively buying whatever was in front of
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me, I was incentivized to wait until a better opportunity arrose, generally by
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waiting until I could buy multiple things at the same time, which generally
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meant buying more efficiently because I was actually putting thought into it.
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Also, by always paying in cash, I had a better sense of how much I was actually
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spending day-to-day. In the US we abhor inconvenience, but in my opinion our
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reluctance to use cash is a good example of how that abhorance can be to our own
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detriment.
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## Florence, Italy
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The train from Ravenna to Florence (or, as Italians spell it, _Firenze_) was
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uneventful. Finding the best route between cities turned out to be pretty
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straightforward. There's an app called GoEuro which helps compare different
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methods like bus, train, plane, and taxi/ride-sharing. There's another app
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called Rome2Trio which does roughly the same thing. There's a bus company called
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FlexBus which I used quite a bit; their prices are good, their buses are new,
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and the UI of their site was made in the last decade.
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Florence was by far my favorite city in Italy. On the one hand it was very
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trourist-friendly, and on the other it still retained the feeling of being a
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historic city. I split my time there between visiting museums and churches and
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finding the best cheapest spots to eat. Before leaving the US a friend had told
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me to avoid any restaurant in Europe that has pictures on its menu; they're
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targeted at tourists and priced accordingly. My strategy for finding food
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involved marking off hole-in-the-wall spots in my maps app whenever I came
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across them during the day.
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On my second day in Florence I was sitting by the Uffizi, eating a panini, and I
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randomly met an art history student from Madrid who was also visiting Florence.
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Together we went to a bunch of museums, saw the David, and just generally hung
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out. I asked her a lot of questions at the museums, because, to be honest, I'd
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never understood what to make of art in museums.
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I'd already learned that, even if I could see a picture of something online,
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seeing it in person is way different. In person the colors in a painting pop out
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more (many even have gold leef paint which doesn't really show up in pictures at
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all, but makes a world of difference), there's a lot more detail to be seen, and
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the size of some is absolutely baffling. I also enjoy learning about history,
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and the history of art is effectively the history of the world. So museums had
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become a meditative place for me; I could go to one and just wander, taking in
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art pieces at whatever rate I liked, learning and thinking about history as I
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went.
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What had always confused me, though, was how to _judge_ art. As in, what makes
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one piece better than another, or what makes one artist better than another? Why
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do some paintings become famous and others remain obscure? What my friend from
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Madrid told me is that there's not really a metric. Some paintings become famous
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for historical reasons, either due to where they were originally displayed or
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some story associated with them. Same for some artists. Ultimately it's up to
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the individual to judge them. There was a painting in the same room as the
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famous Birth of Venus painting which I liked far more, and was happy to admire
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it alone as throngs of other tourists vied for good selfies with the more famous
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piece.
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I left Florence with a greater appreciation and understanding of museums, as
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well as a good friend who I would be able to visit later while making my way
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through Spain.
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## Rome, Italy
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Rome surprised me when I got there, though to be honest it's not clear what my
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expectations actually were. The city center, aka the tourist center, is
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absolutely _massive_, and all of it is completely tourist-centric. Living in
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Rome must feel like living inside of Disney World. The city no longer exists for
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its residents, but instead has been completely swallowed by the tourism
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industry. Every street corner and storefront is filled with souvenir shops,
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overpriced food, clothing stores with "I <3 Rome" shirts, gelato shops, walking
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tour agencies, bike rentals, "experience" vendors (helicopter rides over the
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Colosseum! Oh my!), shitty jewelry stores, and so much more, all aimed at
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someone who has too much money and not enough time to spend it all.
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My hostel was one of the cheapest I could find, but since I was only staying
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two full days I figured it'd be fine. Seeing all the sights of Rome in only two
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days is not recommended, but I did the best I could. The first day I went
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straight to the Vatican, getting there as early as possible to try
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(unsuccessfully) to beat the line. St. Peters is the largest church in the
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world, but being rushed I wasn't able to enjoy it like Milan's Duomo, and a lot
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of it was closed off unless you wanted to pay more. I wasn't able to spend
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enough time in it to enjoy it.
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The Vatican museum was more enjoyable than I thought it would be. For starters
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it's huge, with tons and tons of things to see, including, obviously, the
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Sistene Chapel. I took my time wandering around. After the museum I left the
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Vatican and wandered over to some other sights, like the Castel Sant'Angelo and
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the Pantheon. As the day wore on, and more and more tourists started pouring
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out, everything became impossibly crowded. It was difficult to really enjoy
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anything, what with everyone taking their phones out to capture anything and
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everything the guidebook said to, without really taking the time to take in the
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thing itself.
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This was something I began to struggle with while I was in Rome. It wasn't
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always clear to me _why_ these people cared about these sights, with myself
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being included. My pessimistic self would say that people just want the social
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media points gained by a nice selfie in front of Trevi Fountain, and that the
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tourism explosion which has started in the last decade is driven by narcissism.
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My charitable self might say that everyone understands that the journey matters
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more than the destination, and that seeing the sights isn't really the point,
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but rather prefer the adventure taken with friends and/or family, and so they
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snap a quick picture and continue on with their good time.
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The reason people travel and visit tourist spots is really only their business,
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and I can't be one to judge. It just seems unfortunate to take an entire city,
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arguably the most important city in written history, and turn it into a theme
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park for the sake of people who don't actually care all too much about it. I
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carried this realization with me for the rest of my trip, that tourism is a
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deal-with-the-devil, taking the money of people who, ostensibly, find some place
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interesting, in exchange for driving away the original inhabitants of that place
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who made it interesting in the first place.
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Later on I would learn that the creep of tourism and the dreaded plague of
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"gentrification" were spoken of as the same thing in popular destinations. The
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problem of wealthy people driving out the inhabitants of a city in order to take
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part in the city culture the original inhabitants created is a global one, and
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one I'm certainly a part of. I moved to Denver because I liked the culture of
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that city, and was fortunate enough to be able to afford to do so, but then left
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only three years later, and was now doing the same in even shorter time periods
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in cities the world over.
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I obviously didn't stop being a tourist after Rome, but I made a conscious
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attempt to be a better one. I put down the guidebook (or, in my case, the guide
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app) and tried to explore more naturally, taking in each sight as I found it,
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and learning as much about it as I could. Rather than trying to see a little of
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everything I find something which really called out to me and focus on that.
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It's a tough predicament to be in; it's important to go out and see the world,
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to meet people from all different cultures and see all the ways they live, but
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doing so is, often, detrimental to those cultures. It was tough to find a
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balance I was comfortable with, and I'm still not sure a "correct" balance
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actually exists.
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My second day in Rome I spent at the Colosseum and the Palatino, but I was so
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utterly exhausted and brain-melted I barely remember them. I left Rome
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with a ton of things left unseen, but without any regret about it. Italy itself
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had far too much for me to do in this trip, and I knew I'd be back one day, both
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to Italy and to Rome itself. On the third day I hopped on a plane, flew across
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the sea, and landed in Spain.
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2018-09-21 21:00:45 +00:00
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## Barcelona, Spain
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Barcelona definitely made my list of favorite places I visited. Having come from
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a city which didn't feel like much more than a playground for tourists, it was
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refreshing to be in one which felt more real. Spaniards seemed to be friendlier
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than Italians as well, and my hostel was filled with characters from the UK to
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Brazil to Russia.
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There was an architect in Barcelona named Antoni Gaudí, who died in 1926, but
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left an indelible impression on the city. If I hadn't known when he lived and
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died I might have thought he founded the place, he's that ubiquitous. His style
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is completely strange; his exteriors look like something out of Candy Land,
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while the interiors seem to come from a utopian sci-fi.
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What blows my mind is that, for whatever reason, they let him build a church.
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La Sagrada Familia isn't actually completed yet. Gaudí took it over in 1883, a
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year after it had been started, and worked on it until the day he died. He knew
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he wouldn't live to see the completion of the project, and so laid out the plans
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such that it could be completed without him. The church has been slowly
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constructed using private funds and donations since then.
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<div style="text-align: center;">
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{% include image.html
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src="mr-worldwide/sagrada-familia-outside-2018-0.jpg"
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inline=true
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%}
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{% include image.html
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src="mr-worldwide/sagrada-familia-outside-2018-1.jpg"
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inline=true
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%}
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<p><em>Outside faces of La Sagrada Familia, Barcelona, 2018</em></p>
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</div>
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The outside presents two faces, one a mishmash of sculpture which resembles
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melting ice-cream and the other highly geometrical, both filled with biblical
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scenes and small details. Neither really prepares you for what the inside will
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be like.
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|
<div style="text-align: center;">
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{% include image.html
|
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src="mr-worldwide/sagrada-familia-inside-2018-0.jpg"
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inline=true
|
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%}
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|
{% include image.html
|
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src="mr-worldwide/sagrada-familia-inside-2018-1.jpg"
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inline=true
|
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%}
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|
{% include image.html
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src="mr-worldwide/sagrada-familia-inside-2018-2.jpg"
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inline=true
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|
%}
|
2018-09-22 18:02:41 +00:00
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|
{% include image.html
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src="mr-worldwide/sagrada-familia-inside-2018-3.jpg"
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|
inline=true
|
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|
%}
|
2018-09-21 21:00:45 +00:00
|
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|
<p><em>The incredible interior of La Sagrada Familia, Barcelona, 2018</em></p>
|
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|
|
</div>
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|
I'd been in a lot of churches and cathedrals up till this point. Even when they
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|
|
were as mind blowing as Milan's Duomo, they all followed a similar pattern:
|
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|
|
gothic, brooding, ornate, almost dark in a way.
|
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|
La Sagrada Familia is none of those things; it shirks the gothic style almost
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|
|
completely, instead adopting one inspired by natural shapes and patterns. It
|
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|
|
feels more like being under a canopy of trees than being in a building. There's
|
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|
|
light, and color, and organic shapes, like the tree-trunk-like columns and the
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|
|
flower ceiling. And yet there's also a geometric patterness to everything, which
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|
|
hints at an order and intent for everything in sight, so your eye is drawn in
|
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|
|
to investigate every detail without needing ornamentation to grab it.
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It's lucky that I hadn't made any other plans for that day, because I spent
|
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|
|
nearly two hours at that church, walking around, taking it all in, sitting
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|
|
and contemplating, holding back tears a lot of the time, not being successful at
|
|
|
|
it the rest. This might have been the first building I'd ever felt gratitude
|
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|
|
for. Where the traditional catholic building has as a foundation a call to
|
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|
|
authority, this one had a call to nature and humanity. And rather than being the
|
|
|
|
crackpot dream of a single person, it had been carried on and supported and
|
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|
|
built by many others long after he had died. It was a reflection of an ongoing
|
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|
|
change in a society which I was grateful to see.
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|
I left Barcelona with a new understanding of churches, and what they represent,
|
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|
|
even for someone who's not catholic, and even for someone who's not christian.
|
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|
|
They're a space that's been set aside with the fundamental purpose of sitting
|
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|
|
quietly and thinking about things larger than oneself. Thinking about one's
|
|
|
|
place in society, or in nature, or in the universe, and thinking about how that
|
|
|
|
affects one's actions. Every society on earth has these spaces, though they go
|
|
|
|
by different names, and have lots of different decorations. Each one carries a
|
|
|
|
message about what that society has ascribed importance to.
|
2018-09-22 18:02:41 +00:00
|
|
|
|
|
|
|
## Madrid, Spain
|
|
|
|
|
|
|
|
Originally I hadn't planned on going to Madrid at all, but in Florence I met
|
|
|
|
someone who lived there and so decided to spend a couple nights hanging out.
|
|
|
|
Going on a tour of a city is one thing, but going with a local is something
|
|
|
|
completely different. We saw some of the things a tourist is supposed to see,
|
|
|
|
like the opera house, the palace, and whatever this building is:
|
|
|
|
|
|
|
|
{% include image.html
|
|
|
|
src="mr-worldwide/madrid-2018.jpg"
|
|
|
|
descr="This Schweppes building is called the Edificio Carrión, and is famous for reasons. Madrid, 2018"
|
|
|
|
%}
|
|
|
|
|
|
|
|
But more than that, I got to see what it was like to actually live in a city
|
|
|
|
like Madrid, as a normal person. A fancy tapas restaurant is too expensive
|
|
|
|
there, so we went to a local bar that did it more simply and cheaply. We also
|
|
|
|
ate kebab, which is the European equivalent of the corner mexican or chinese
|
|
|
|
joint in the states; a place with cheap, good food, open late, run by
|
|
|
|
immigrants.
|
|
|
|
|
|
|
|
Mostly, we walked around and talked. We talked about colonialism, and oppression
|
|
|
|
and guilt, and about the Spanish Civil War and fascism, and about Catalan and
|
|
|
|
its desire for independence, about capitalism, and the pain it causes, and about
|
|
|
|
tourism and gentrification, and about royalty and aristocracy, and about
|
|
|
|
language and culture.
|
|
|
|
|
|
|
|
I only spent one full day in Madrid, and afterwards took a bus, continuing
|
|
|
|
south, down to Córdoba.
|